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Camerawork, Cars, Editing, Post Production

Onsite production at the Paris Motor Show


Working with our colleagues at Autocar, POV was at the Paris Motorshow this year to make some content for car manufacturer SEAT. We were working with presenter David McCellend who fronted the videos. The videos covered subjects such as SEAT’s virtual reality press conference, their neuro configurator and of course their cars including the Ateca X-PERIENCE

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Editing, Post Production

Onsite editing at London Fashion Week


We were once again at London Fashion Week this year. This time we were at the prestigious IOD headquarters in Pall Mall. The show was for Chinese retail brand JD.com and there were some striking designs on show. We were tasked with rolling up with our portable editing kit to put together montage edits of the

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Live Event, Production, Vision Mixing

Live web stream for Spotify


We recently visited Spotify’s UK offices in London for a quick gig. The company’s UK staff were in Stockholm for a conference and the creative agency we were working with decided their offices should be taken over for a secret gig that we then streamed to the conference. We used a Newtek Trickster to produce a

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Editing, Post Production, Production

Never Read the manual


We recently completed a fun little project for Ford Motor Care entitled ‘Car-Care Fails’. The premise was to tell the stories of various motoring journalists and their car related failures. The project started by us filming talking heads in the usual video testimonial style but we then added animation to enhance the stories and to add

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Camerawork

Goodwood Festival of Speed 2015


Once again, this year we were lucky enough to be filming at the world famous Festival of Speed for our friends at Goodwood Road and Racing. We were interviewing motoring legends such as Sir Sterling Moss and filming fantastic cars like the gorgeous new McLaren 570S and legendary 28-Litre Fiat S76 which is over 100

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News

The new Ariel Atom 3.5R at Goodwood


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Last week we had another crazy shoot for one of our favourite clients, the Goodwood Road and Racing club. In one day we got to film at the world famous Goodwood race circuit, the Goodwood hill climb and if that wasn’t enough, at a disused airfield. We had the usual array of on-car cameras, cranes

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