Live Event

Camerawork, Covid, Editing, Live Event, Lockdown, Post Production, Production

A new category of virtual event – THE HYBRID


A new world Back in May 2020 we worked with one of our most innovative clients, Relocate magazine, to bring their prestigious annual awards ceremony into a lockdown world. The challenge was to keep all the excitement and camaraderie of a regular awards ceremony whilst adhering to the restrictions we found ourselves in at the time.

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Covid, Editing, Live Event, Lockdown, Post Production

We go back to School in lockdown!


The job At the end of 2020 we were lucky enough to help Farnborough Hill school celebrate Christmas by producing their Christmas Service. Our client Helen Bulkeley worked closely with the school and filmed over two days. Strict social distancing was adhered to and actually some performances were filmed in multiple sessions so that pupils didn’t

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Charity, Covid, Editing, Live Event, Post Production

Teentech virtual awards


For the last four years, we’ve proudly worked with Chris at Trigger Concepts on the Annual TeenTech awards. TeenTech is a fantastic organisation run by the legendary TV presenter and journalist Maggie Philbin that encourages school children to work in STEM (Science, technology, engineering and mathematics) subjects. Maggie’s fantastic connections and the reputation of the awards

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Covid, How To's, Live Event, Lockdown, Post Production

Creating our first virtual awards ceremony – How to do it in a lockdown world


The Challenge When Fiona Murchie from Relocate Magazine, a regular client of ours, contacted me in April about their annual awards ceremony, it was an interesting challenge she had. “Can we still have the ceremony and still have the excitement and shared experience of the live event but without breaking any social distancing rules?” Being an engineer

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Live Event, Production, Vision Mixing

Live web stream for Spotify


We recently visited Spotify’s UK offices in London for a quick gig. The company’s UK staff were in Stockholm for a conference and the creative agency we were working with decided their offices should be taken over for a secret gig that we then streamed to the conference. We used a Newtek Trickster to produce a

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